Falcon continued with the first episode (of two) of the adaptation of Robert Wilson's The Silent and the Damned. I haven't read the novel, so I don't know whether its events follow on three months after those of The Blind Man of Seville, as in the telly version. But one thing is for sure - the entrancing photography has made me want to visit Seville as soon as the opportunity arises!
In the previous story, the first victim's eyelids were removed. This time, it was the victim's tongue that was cut out. To an extent, therefore, it seemed rather as though this was an entry in a "mutilation of the month" competition, but generally, I thought this was a good crime show, pacy and yet at times thoughtful. Marton Csokas continues to excel as Falcon, and Hayley Atwell continues to appeal in the role of his potential love interest.
The storyline this time was rather less clear and crisp than in The Blind Man of Seville,but one reason why that didn't matter too much was the excellence of the cast. It included Bill Paterson (who didn't make much of an effort to hide his Scottish accent when playing a Spanish character, but somehow his charisma meant it didnt' really matter) and Robert Lindsay. I've often been asked who I would, ideally, cast as Harry Devlin, and Lindsay has always been very high on the list,even though now he'd be just a little too old for the part. He really is an attractive actor, with a terrific range. I've enjoyed his work ever since he first appeared, long ago, in that breezy sitcom Citizen Smith.
I finished this episode not really clear what was going on, far less having a clear idea of the culprit's identity and motive. Never mind. Falcon is, at present, proving to be rather addictive television, and it's certainly done Seville's tourist industry no harm at all.